Jane knows it. She may not be like Tess, who has the advantage of prophetic dreams. Nor is she like Sera, who notices every detail no matter how miniscule and draws conclusions based on the smallest thread of evidence. She doesn’t possess Maya’s ability to soothe the tempers around her with a few well-spoken words. Neither is she a brilliant scientist like Georgie. According to Miss Stranje, Lady Jane Moore is a mastermind.
Nonsense!
Jane doesn’t consider herself a mastermind. Quite the contrary, she believes herself to be an ordinary young lady. It’s just that she has a rather excessive bent toward the practical. She tends to grasp the facts of a situation quickly, and by so doing, she’s able to devise and implement a sensible course of action. But that’s all there is to it. Well, there is the fact that she also organizes the players in her plans with quiet efficiency. So much so, that occasionally Lady Jane’s friends tease her for being a bit managing.
Do they expect her to sit back and do nothing when trouble is brewing? Not likely. Not when the people she cares about are at risk. Call it being a mastermind if you must, it is a trait that comes in rather handy in a world full of spies, sabotage, and double-dealing. Especially now that Lady Jane and Sera have rooted out the truth: There is a traitor at Stranje House.
Someone is sneaking information to Lady Daneska and Ghost, Napoleon’s spies. Jane is determined to find out who it is before the bonds of friendship at Stranje House are ripped apart by suspicions. Her desperate hunt for the traitor ensnares Robert Fulton’s nephew, Alexander Sinclair, a brash American inventor, in an ambush that puts his life in danger. Sinclair may well be the most maddening man in all of Christendom, a wicked-tongued rascal with boorish manners, but for some reason, Lady Jane cannot bear the thought of the golden-haired genius being harmed.
Is Jane enough of a mastermind to save Alexander, her friends at Stranje House, and possibly England itself?
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